Living in poverty in a shared studio apartment in Los Angeles, two brothers (Justin and Aaron) receive a mysterious videotape in a box that seems to have been shipped through a hundred countries before arriving on their doorstep.
On it, a Heaven’s Gate-esque cult member talks about an impending “Ascension”.
We learn that the brothers were raised in this cult, and fled from it a decade ago because Justin pulled Aaron out when he became aware of an impending mass suicide. But this tape seems to say otherwise — their old family is alive and well, which opens a crack in the brothers’ relationship: why did Justin pull Aaron away from the only family he’s ever known, lie about their mass suicide, and have him live this destitute life?
On Aaron’s insistence, they go back to their homestead deep in the high desert forest of the southwest in order to get some closure. But when they arrive, they discover that the “cult” might not really be a cult at all, and they’re not certain just how welcome back they are.
And there seems to be a dark truth to the commune’s otherworldly beliefs that suggest the laws of the natural world may be very different than we assume, which propels THE ENDLESS into a Lovecraftian tale about brotherhood, giving up your personal autonomy, and history’s weird, malevolent tendency to repeat itself.
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